精品推荐：大观通宝日月七星花钱

精品推荐：大观通宝日月七星花钱

北宋货币大观通宝，是由徽宗御题钱文。宋代与历朝有所不同，每换一种年号就开炉铸新币，若年号与宝文相重，则更铸非年号钱。终宋三百年，通行以小平折二钱为主，其间也有大钱流通、钱币的轮廓，尺寸都有一定标准。因此宋钱版别极多，历代罕有，钱文除真、草、隶、篆，行外，还有便是北宋徽宗的“玉划银勾”瘦金体。“风流天子出崇观，铁画银勾字字端。闻道蜀中铜货少，任凭顽铁买江山！”诗中传述的便是北宋徽宗传神的瘦金体。徽宗早年继承帝位，崇尚书法绘画艺术，却不善理国。他自己则御书亲题其中的崇宁通宝、大观通宝，政和重宝，宣和通宝背陕等钱文。御书钱钱文精美，铸造技术高超，为历朝之冠。

The great view of currency in the Northern Song Dynasty, Tongbao, was inscribed by Emperor Huizong on Qian Wen. The Song Dynasty was different from the previous dynasties. Every year number changed, new coins were minted. If the year number and Baowen overlapped, non-year number coins would be minted. In the last three hundred years of the Song Dynasty, the general practice was to fold two coins at a small level, while there were also large money circulation, the outline of coins, the size of which had a certain standard. Therefore, there are many versions of Song Qian, which are rare in the past dynasties. Besides genuine, grassland, Li and seal, Qian Wen also has the lean gold body of "Yuzhuangyin Gou" of Huizong in the Northern Song Dynasty. "The emperor of the wind and the wind is magnificent, with iron and silver scribbles at the end. Wen Dao Shuzhong copper goods are few, let the stubborn iron buy Jiangshan! " The poem tells of the thin gold style of Huizong in the Northern Song Dynasty. Huizong inherited the throne in his early years and advocated the art of calligraphy and painting, but he was not good at governing the country. He himself wrote about Chongning Tongbao, Daguan Tongbao, Zheng Chongbao, Xuan Tongbao and Shanxi. The imperial book Qian Wen is exquisite and the casting technology is superb, which is the crown of all dynasties.北宋徽宗赵佶作为一个皇帝，怠于政治，听信奸佞，他任用蔡京、童贯等奸佞之辈主持朝政。宋徽宗本人信奉道教，大造庙宇，自称教主道君皇帝。此外他还大肆搜刮民财，极尽侈靡，最后国库空虚。至金兵南下时，北宋几乎无抵抗之力，他本人也被俘去，并忧死异乡了。但在另一方面，在文化、艺术等领域里，徽宗曾做出过重要贡献。在货币文化的创新上，他也身体力行，不遗余力。人们常说，书法在运用上有三难：篆刻难，书匾难，制钱文难。此三难中方印、书匾还比较容易，而在圆钱上铸字则要难得多了。但是宋徽宗赵佶却“因难见巧”，在钱币的方寸之间把他自创的“瘦金书”发挥得淋漓尽致，从而把书法艺术推上了峰巅。赵佶的书法初学黄庭坚、薛稷和褚遂良，后自成一体，被称为“瘦金体”，铁画银钩劲瘦淡雅，风韵别致，堪称一绝。

他写的钱文与众不同，一眼就可看出他的手迹，这充分显示出他的书法艺术个性和美感。在钱币制作上，在方孔圆钱上安排四个瘦金体文，加上狭缘而不用阔缘，钱文与细廓的线条配合得非常得体，和谐。而这些钱文瘦直挺拔，横画收笔带点，坚画收笔带钩，撇如匕首，按如切刀，劲健有力，洒脱自如，加上廓深肉细的精湛作工，更显得豪纵俊逸，气度不凡了。特别是“大观通宝”四个字，有简有繁，在圆钱上本不易处理得当，但他能部署、配置得恰到好处，令人赏心悦目。而大观通宝钱则是徽宗书法艺术的代表作，其中行书大观小平铁母瘦金体特型出号大观。这两种钱都是珍稀之品。大观通宝钱是徽宗大观年间铸造的，相传崇宁五年（公元1106年）年末，当时有人夜观星象时忽然发现彗星闪过，叹为观止，徽宗认为是吉祥之兆，故而改元。改崇宁六年（公元1107年）为大观元年，再而铸钱。

As an emperor in the Northern Song Dynasty, Huizong Zhaoyou was negligent in politics and listened to adultery. He appointed such adulterers as Cai Jing and Tongguan to preside over the dynasty. Song Huizong himself believed in Taoism, built temples and claimed to be the monarch and emperor of Taoism. In addition, he also wantonly scratched the people's wealth, exhausted extravagance, and finally the Treasury was empty. By the time the Jin soldiers went south, there was hardly any resistance in the Northern Song Dynasty. He himself was captured and worried about his death in a foreign country. On the other hand, Huizong has made important contributions in the fields of culture and art. In the innovation of monetary culture, he also practiced and spared no effort. It is often said that there are three difficulties in the application of calligraphy: seal engraving, plaque making and money making. These three difficulties are relatively easy for Chinese to seal and inscribe, but it is much harder for Chinese to cast characters on round money. However, Zhao You of Huizong in Song Dynasty, who had created his own "lean gold book" between the cubic inches of coins, brought the art of calligraphy to its peak. Zhao Yu's calligraphy was first studied by Huang Tingjian, Xue Ji and Zhu Suiliang, and later became a self-contained body, known as "lean gold body". The silver hook of iron painting was strong, thin and elegant, with unique charm.

Qian Wen written by him is unique, and his handwriting can be seen at a glance, which fully demonstrates his artistic personality and aesthetic feeling of calligraphy. In coin making, four lean gold styles are arranged on square hole coins, with narrow edges instead of wide ones. The coins match well with the detailed lines and are harmonious. These Qian Wen are thin, straight and straight, horizontal drawing with a point, firm drawing with a hook, abandoned as a dagger, press like a cutting knife, vigorous and powerful, free and easy, coupled with deep and delicate exquisite workmanship, even more proud, handsome and extraordinary. Especially the four words "Daguan Tongbao" are simple and complicated, which is not easy to handle properly in the round money, but they can be deployed and allocated appropriately, which is pleasing to the eyes. And Daguan Tongbao Qian is the representative work of Huizong's calligraphy art. Among them, Daguan Xiaoping Tiemu's thin and golden body is famous. These two kinds of money are precious goods. Daguan Tongbao Qian was cast in the year of Huizong Daguan. Legend has it that at the end of the fifth year of Chongning (1106 A.D.), when someone was watching the stars at night, he suddenly found a comet flashing by. It was amazing that Huizong thought it was a good omen, so he changed the Yuan Dynasty. Six years of Chongning (1107 A.D.) were changed to the first year of Daguan, and then money was made.此钱币是较为稀珍的大观通宝日月七星花钱，重15.5，直径38.8mm。这枚钱币，字迹清晰，包浆浑厚，保存完整，是不可多得的佳品，值得收藏。

This coin is a rare Daguan Tongbao Sunday, July and Seventh Star. It weighs 15.5 and has a diameter of 38.8 mm. This coin, with clear handwriting, thick pulp and complete preservation, is a rare good item and worth collecting.