清珐琅彩龙纹梅瓶

清珐琅彩龙纹梅瓶

Clear enamel plum vase with dragon design

口径：8.4cm        高：38cm           底径：14.6cm

CAL：8.4cm         High:38cm           Bottom diameter:14.6cm

此藏品为“清乾隆珐琅彩龙纹梅瓶”，器形为梅瓶，瓶身绘制花卉、龙纹，瓶口和瓶底以描金黄底花卉纹搭配，并底款是“大清乾隆年制”篆书体。

This collection is "clear qianlong enamel color dragon grain plum bottle", implement shape is plum bottle, bottle body draws flower, dragon grain, bottle mouth and bottle bottom with tracing gold yellow bottom flower grain collocation, and bottom money is "year of year of great qing dynasty qianlong" seal book body.

此珐琅彩龙纹梅瓶，唇口外撇，短束颈，溜肩，腹一下渐收，圈足，底青花书“大清乾隆年制”篆书款。胎质坚质细密，釉面光润莹亮，均净细腻。瓶身以绘制龙纹，间以花卉点缀，使画面添增了不同反响意趣。所绘龙纹气势磅礴，鬃发横批，龙睛怒张，身躯矫健有力，威风凛凛，间饰以彩色花卉纹，上下金边黄底花卉纹点缀，搭配协调，整体画面极富动感，画面张弛有度扣人心弦，气度恢宏。整体绘功精湛，较为珍罕，观赏收藏价值极高。此等制瓷艺术水平在清代盛世亦属罕见。

This enamel plum vase with dragon pattern, lip outside skimming, short tie neck, slip shoulder, abdomen gradually close, circle foot, bottom blue and white book "qing dynasty qianlong year" seal book style. The foetus is firm and fine, the glaze is bright and smooth, all clean and delicate. The bottle body is decorated with dragon patterns and interspersed with flowers, making the picture more interesting. Draw the dragon grain imposing manner, bristle hair horizontal cut, the dragon eye anger zhang, the body is vigorous and powerful, majestic, between ACTS the role of with colored flowers grain, up and down gold edge yellow bottom flowers grain ornament, collocation is coordinated, the whole picture is extremely dynamic, the picture zhang chi has the degree of gripping, the bearing is magnificent. Overall painting skills, more rare, high value of ornamental collection. Such artistic level of porcelain making was rare in the prosperous qing dynasty.

珐琅彩是中国陶瓷装饰艺术中的一朵奇葩，被誉为“彩瓷中的皇后”。珐琅是一种较软的玻璃料，若在里面加上不同的金属氢化物作为呈色剂，并用油调和，便成为珐琅彩。用珐琅彩在烧好的白瓷上绘画，再入炉二次烘烧，即成为美妙的珐琅彩瓷。这种技术源于15世纪的法国，清初传入我国。珐琅彩含大量的硼和砷，烧成后具有强烈的金属质感，色彩种类繁多，表现力极强，深受人们的喜爱。珐琅彩自清代康熙时创烧后即成为宫廷专享的御用器，其制作技艺奇绝，成本高昂，传世极少，至为珍罕，为收藏家梦寐以求之珍。

Enamel color is a wonderful work in Chinese ceramic decorative art, known as the "queen of color porcelain." Enamel is a kind of soft glass material. When different metallic hydrides are added to it as colorants and mixed with oil, it becomes enamel color. Using enamel color to paint on the white porcelain, and then into the furnace for a second baking, that is, a wonderful enamel color porcelain. This technology originated in France in the 15th century and was introduced to China in the early qing dynasty. Enamel color contains a large number of boron and arsenic, burned with a strong metallic texture, a wide variety of colors, strong expression, by the people's favorite. Enamel color from the qing dynasty kangxi, after the creation of the fire, that is, become the court to enjoy the royal ware, its production skills, high cost, handed down very few, extremely rare, for collectors dream of the treasure.

乾隆一朝为清代盛世，集全国经济、政治和艺术于最高峰。乾隆朝艺术发展到极致，无论是瓷器还是其他艺术水平均为清代之冠，故乾隆珐琅彩又有“五彩珐琅”之称。乾隆帝对珐琅彩瓷器珍爱有加，珐琅彩瓷器的烧制数量超过康雍两朝，造型更加丰富，瓶类就有蒜头瓶、双联瓶、葫芦瓶、双耳瓶等，茶壶、方盒、盘、碗等器皿的数量与样式都明显增多。乾隆朝珐琅彩瓷另有一种带西洋味道的纹饰，这是前朝所不见有的，不但珐琅彩多有此类纹饰，其他瓷器上如粉彩、青花也多有西洋绘画风格。乾隆年间，有许多欧洲画家供职于内廷，中国画家因此吸收了欧洲绘画的透视技法，把它用在珐琅彩瓷画上，色彩华丽，风格独特。工艺制作更加精细，正如《陶雅》所称：“至乾隆，则华缛极矣，精巧之致，几于鬼斧神工。”

The qianlong dynasty was the heyday of the qing dynasty, which was the peak of national economy, politics and art. Qianlong dynasty art development to the extreme, whether porcelain or other art level are the crown of the qing dynasty, so qianlong enamel color is known as "colorful enamel". Emperor qianlong cherished enamel color porcelains. The number of enamel color porcelains was more abundant than that of kang and yong dynasties, and the shapes were more abundant. There were garlic bottles, double bottles, gourd bottles, double-ear bottles, etc. Porcelain of enamel color of qianlong dynasty has another kind of design that takes western flavour to act the role of, this is the place before the dynasty does not see some, not only enamel color has this kind of design to act the role of more, if on other porcelain powder color, blue and white also has western painting style more. During qianlong's reign, there were many European painters working in the inner court. Therefore, Chinese painters absorbed the perspective techniques of European painting and used them in enamel color porcelain paintings with gorgeous colors and unique styles. The craftsmanship is more elaborate, just as tao ya said: "in qianlong, there was great elaboration and exquisite workmanship."

珐琅彩瓷在所有瓷器品种中，不仅制作工艺繁复，数量稀少，烧制精美，而且具有极高的艺术性，表现出很强的创造力，历来都是很多瓷器收藏家梦寐以求想要收藏的珍品，因此天价珐琅彩瓷也是时有出现。不少专家认为，对于珐琅彩瓷今后的市场，不论其他瓷器品种行情如何，珐琅彩瓷今后依然会受藏家追捧，市场仍会非常稳定，且具有巨大的收藏潜力。

Enamel color porcelain in all porcelain varieties, not only the production process is complicated, the number of rare, exquisite firing, but also has a high artistic quality, show a strong creativity, has always been a lot of porcelain collectors dream to collect treasures, so the price of enamel color porcelain is also from time to time. Many experts believe that for the future market of enamel color porcelain, no matter how other porcelain varieties, enamel color porcelain will still be pursued by collectors in the future, the market will still be very stable, and has great potential for collection.

梅瓶是传统名瓷，梅瓶是一种小口、短颈、丰肩 、瘦底、圈足的瓶式，以口小只能插梅枝而得名。因瓶体修长，宋时称为"经瓶"，作盛酒用器，造型挺秀、俏丽，明朝以后被称为梅瓶。

Plum vase is a traditional famous porcelain vase. It is a kind of vase with small mouth, short neck, rich shoulders, thin bottom and round feet. Due to its slender body, it was called "jing bottle" in song dynasty, and it was used as a vessel for holding wine.

梅瓶也称"经瓶"，最早出现于唐代，宋辽时期较为流行，并且出现了许多新品种。近代许之衡在《饮流斋说瓷》一书中详细地描述了梅瓶的形制、特征及名称由来:"梅瓶口细而颈短，肩极宽博，至胫稍狭，抵于足微丰，口径之小仅与梅之瘦骨相称，故名梅瓶。"关于梅瓶的用途，磁州窑白地黑花梅瓶器腹有"清沽美酒"与"醉乡酒海"的诗句。梅瓶既是酒器，又是一件令人爱不释手的观赏品。因此，这类器多制作精美，不但考虑到贮酒容量，还要注意造型优美。

Mei vase, also known as "jing vase", first appeared in the tang dynasty, during the song and liao dynasties, and many new varieties appeared. In modern times, xu zhiheng described in detail the shape, structure, characteristics and name of the plum bottle in the book "on the porcelain of yinliuzhai" :" the plum bottle has a thin mouth, a short neck, a wide shoulder, and a narrow shin. As for the use of plum bottle, there are verses of "clear wine" and "sea of intoxicating wine" on the belly of black flower plum bottle in cizhou kiln. Plum bottle is not only a wine vessel, but also a fondly appreciating article. Therefore, many of these vessels are exquisitely made, not only considering the storage capacity, but also pay attention to the beautiful shape.

此藏品无论从造型上还是纹饰色彩搭配都是极为精致的，故观赏收藏价值也是极高。

This is collected no matter be from modelling or grain act the role of colour collocation is extremely delicate, reason appreciation collects value to also be extremely tall.