网上古玩商城精品推荐19年第八期 张建明书画

网上古玩商城精品推荐19年第八期 张建明书画

张建明，笔名鉴铭。1961年生，苏州人，著名花鸟画家张辛稼先生关门弟子。1988年南京艺术学院美术系进修，专攻写意花鸟画。中国民主促进会会员、江苏省美术家协会会员、江苏省花鸟画研究会会员、苏州吴门中国画研究院副院长。

Zhang Jianming, pseudonym Jian Ming. Born in 1961 in Suzhou, Mr. Zhang Xinjia, a famous flower and bird painter, was a close disciple. In 1988, the Fine Arts Department of Nanjing Institute of Arts studied further, specializing in freehand flower and bird painting. Member of China Democratic Promotion Association, member of Jiangsu Artists Association, member of Jiangsu Flower and Bird Painting Research Association, vice president of Suzhou Wumen Chinese Painting Research Institute.

张建明擅长于草书和行书。从他纷纭多姿的书法艺术中，依稀可见他追摹“旷代草圣”于右任的品性与书风。在书法的精神内质与文化气脉上，熔铸了米带、怀素、于右任等大师的风骨与笔意，传承了先贤们重在写气、重在神韵、意在笔先、力在情趣的艺术造诣，悟道于心，倾注个性，诉诸笔墨，在师古创新的笔墨情趣中，修炼自己的性情，追求独特的艺术境界。张建明浸淫书学三十余年，旱年力临欧阳询、柳公权等名帖，以楷书打下扎实基础;进而力临张旭、米带、怀素、于右任等行草名帖，杂揉诸家，博取众长，尤其对于右任的标准草书有自己独到的理解与参悟。同时注重读书，涉猎文学、音乐、舞蹈、武术、建筑、历史等领域，着力于各种有关美学的领悟与涵养，融合各种知识和艺术于心臆，充实自己的灵魂与情感，他的书艺中充盈着浓郁的书卷气。书家常讲“潇洒风流谓之韵，尽变其穷谓之趣”，草书更讲开张天岸马，苍茫大痴笔，穷天地事物之变，发喜愕忧愉之情，气势博大而于楹尺之间，激情洒脱而不失矩度。张建明书法正是追寻着先贤们的智性与法度。无论从运笔、结体，还是谋篇、章法，都追求一种俊健的灵动，焕发的神采，纵横千里的气势和刚柔并济的兴致。他用笔十分骄勇，起势劲拔大方，锋势舒畅迅捷，点画骤雨暴风，笔法纵收自如，疏朗而不松散，秀丽而不娇媚，飞动而不虚滑，悬腕之笔在醉痴中跃然纸上，笔笔皆活，字字有神，篇篇落笔有声的墨迹，显得千姿百态，五彩斑斓。这种骄勇、灵动、多变的笔法，显然有其深厚的渊源。张建明出生于陕西径阳县一个工人家庭，因与于右任同乡而从小视其为终生偶像。不仅酷爱书法，痴心临摹其书，而且追慕其爱国与革命的精神气质，学习继承其文化精神、民族大义与英雄气概。革命与时代的磨砺，让他执笔从戎，当了一名侦察兵，而且在严酷的军事训练中，获得过大军区侦察兵专业比武第三名的成绩。龙腾虎跃、威武雄浑的练兵场上的浩荡之气，灌注于他的生命意识与书法中，久而久之，使他的字有了英武雄壮的气势和力量，客观上避免了文人书法的圆滑、轻浮与侧媚，多了豪放、通达、劲挺的军旅之气所熔铸的笔情、乐韵和诗魂。

Zhang Jianming is good at cursive and running script. From his varied calligraphy art, it can be vaguely seen that he traces the character and style of Yu Youren, the "sage of grass in the open generation". On the spiritual and cultural pulse of calligraphy, the character and writing spirit of masters such as Mi Dai, Huai Su and Yu Youren are fused and cast. They inherit the artistic attainments of the predecessors, which emphasize writing spirit, verve, intention, writing first and interest. They realize the truth in their hearts, pour their individuality into their hearts, resort to pen and ink, cultivate their temperament and pursue a unique artistic realm in the innovative pen and ink taste of ancient times. Zhang Jianming has been studying Prostitute for more than 30 years. In a drought year, he has been able to face famous posts such as Ou Yangxun and Liu Gongquan, laying a solid foundation in regular script. In addition, he also tried to use famous cursive scripts from Zhang Xu, Mitai, Huai Su, Yu Youren and other famous cursive scripts. He mixed and kneaded various families and learned from many people. In particular, he had his own unique understanding and understanding of Yu Youren's standard cursive scripts. At the same time pay attention to reading, dabbling in literature, music, dance, martial arts, architecture, history and other fields, focusing on various aesthetic understanding and self-restraint, blending all kinds of knowledge and art in mind, enriching his soul and emotion, his calligraphy is full of strong bookishness. The book often says "the charm of natural and unrestrained elegance is to change the charm of poverty". The cursive script even talks about opening a horse on the bank of the sky, vast and stupid pen, the change of things in the poor world, the feeling of joy and sorrow and happiness. The momentum is broad and between the feet, the passion is free and easy, and the moment is not lost. Zhang Jianming's calligraphy is exactly pursuing the wisdom and laws of the sages. No matter from the calligraphy, body composition, planning and composition, they all pursue a kind of smart, vigorous and vigorous spirit, full of vigor and vitality, and the interest of combining hardness with softness. He is very arrogant and brave with his pen. He is vigorous and generous with his power. His front is relaxed and swift. He points out the torrential rain and storm. His brushwork is free to draw vertically. His brushwork is loose but not loose. He is beautiful but not charming. His flying but not charming. His hanging wrist pen leaps out of the paper in a drunken stupor. His pen and pen are all alive. His words are vivid, and his writing is full of color and variety. This arrogant, flexible and changeable brushwork obviously has its deep roots. Zhang Jianming was born in a worker's family in Kenyang County, Shaanxi Province. He was regarded as a lifelong idol by his fellow countrymen Yu Youren. Not only is he fond of calligraphy and fond of copying his books, but also he admires his patriotic and revolutionary spirit and learns to inherit his cultural spirit, national sense of honor and heroic spirit. The revolution and the sharpening of the times led him to write and join the army, becoming a scout. In the harsh military training, he won the third place in the professional contest of scouts in the military region. The majestic atmosphere in the military training ground, full of vigor and vitality, poured into his consciousness of life and calligraphy. Over time, his words had the imposing momentum and strength of valor and force, objectively avoiding the smoothness, levity and flattery of literati's calligraphy, and adding to the brushstroke, rhyme and poetic spirit forged by the bold, prudent and vigorous military atmosphere.

张建明的书艺，他的寓传统于新意，寄浩气于笔墨的作品，读出了一种中国书法的价值与尊严感。张建明深知，汉字是民族智慧的结晶与载体，汉字书法是中华文化的精华与国粹。面对汉字书法，他有一种宗教信仰般的虔诚与痴情，因而它的作品与传统的民族文化精神相呼应。金戈铁马、气吞万里的军人气质，自强不息、厚德载物的人文气息，一齐弥漫于他的书体独立、章法各异、规格不同的大量作品里，休现出现代正派书法家的艺术素养和终极精神。我期待着张建明在文武兼容的翰墨人生中，以自己的书法语言、书法风格和精神气度，源源不断地创作出无愧于人生、无愧于时代、无愧于汉字价值与尊严的翰墨华章，为当今浮躁、媚迷、怪异之风侵袭的书坛，鼓荡浩然正气。

Zhang Jianming's calligraphic art, his works which combine tradition with originality and show great vigor with pen and ink, read out the value and dignity of Chinese calligraphy. Zhang Jianming knows very well that Chinese characters are the crystallization and carrier of national wisdom, and Chinese calligraphy is the essence and quintessence of Chinese culture. In the face of Chinese calligraphy, he has a religious piety and infatuation, so his works echo the traditional national cultural spirit. The military temperament of the warriors, the constant striving for self-improvement and the humanistic spirit of the noble and virtuous are all pervaded in a large number of his works with independent style, different compositions and different specifications, showing the artistic accomplishment and ultimate spirit of modern decent calligraphers. I look forward to Zhang Jianming's continuous creation of calligraphy seals worthy of life, the times and the value and dignity of Chinese characters with his calligraphy language, calligraphy style and spiritual tolerance in his civil-military compatible calligraphy life, so as to inspire integrity for today's impetuous, obsequious and weird calligraphy world.

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