盛世古董下的青釉莲瓣纹三人足供盘精品推荐

 

盛世古董下的青釉莲瓣纹三人足供盘精品推荐

 

【藏.荐】栏为藏品强大的传播效应向各位买家推荐经国家一级鉴定专家甄选的艺术珍品,为藏家牵线搭桥,让千百件艺术珍品价值被发掘与重视,在拍卖会上得以高价成交。

[Tibet. Recommendation] column for the strong dissemination effect of the collection to recommend to buyers the selected art treasures by experts at the first level of national appraisal, to bridge the gap for Tibetans, so that the value of thousands of art treasures are excavated and valued, and high-priced transactions can be concluded in the auction.

【名称】： 青釉莲瓣纹三人足供盘

 

【藏 品 类 型】:瓷 器

 

【藏 品 年 代】:宋 代

 

【藏 品 信 息】:口径:158mm 盘深:21mm 高度:119mm 重量:900g

 

[Name] Green glaze lotus petal pattern three-person foot plate

 

[Collection Type]: Porcelain

 

[Collection Age]: Song Dynasty

 

[Collection Information] Caliber: 158mm disk depth: 21mm height: 119mm weight: 900g

龙泉窑是中国历史上的一个名窑，宋代六大窑系。汉族传统制瓷工艺的珍品。因其主要产区在浙江省龙泉市而得名。它开创于三国两晋，结束于清代，生产瓷器的历史长达1600多年，是中国制瓷历史上最长的一个瓷窑系，它的产品畅销于亚洲、非洲、欧洲的许多国家和地区，影响十分深远。龙泉窑以烧制青瓷而闻名，在北宋早期以前的产品风格受越窑、瓯窑、婺州窑的影响，特征与三窑的产品相似。胎质较粗，胎体较厚，釉色淡青，釉层稍簿。龙泉窑因在今浙江龙泉县，故名，属我国南方青瓷系统。创造于北宋早期，南宋中晚期进入鼎盛时期，至明代中叶以后渐趋衰落，传世的龙泉青瓷下限至清康熙年间，烧造历史达七、八百年之久。北宋时期的龙泉青瓷，胎骨较厚，胎土淡灰，底足露胎处见赭褐色窑红，胎微出烧，釉的玻化程度好，釉层透明，釉表光泽很强。装饰花纹较简练，常见纹样有鱼纹、蕉叶、金枝、荷花等。装饰风格趋于奔放。处于南宋鼎盛时期的龙泉青瓷，形成了自已独有的艺术风格，显示了独特的魅力。北宋时多粉青色，南宋时呈葱青色，没有开片在器皿转折处，往往露胎呈现胎色，瓷釉厚润，装饰上很少刻花、划花，而流行用贴花、浮雕，例如在盘中常堆贴出双鱼图案，在瓶身上贴出缠枝牡丹图案。供盘用于盛放供果的盘。开始用一般日用盘，宋代已有专用器，多带座，器形较高，根据供澎国奉对象的不同，有的带有佛像，有的带有神像，有的座上带有力士，赋予了宗教色彩。明清时期带座的供盘已比较少见，多为长方倭角、四方倭角、五边、六边、八边形、椭圆形、梅花形、菱形、荷叶形、树叶形、桃形的盘子，盘上多绘山水、花鸟、人物等图案。清同治、光绪年间随着浅绛彩瓷的兴起，供盘上也多绘浅绛彩画，并且盘内外均有画面，故而有人将这种盘子称为"画盘"。其用途除作供盘外，也是文人雅士的赏盘，或盛放瓜子、花生、鲜果的果盘。宋代龙泉青瓷是青瓷工艺的历史高峰。其青瓷的釉色与质地之美，亦如巧夺天工的人造美玉，全世人为之倾倒。此件龙泉窑青釉莲瓣纹三人足供盘，盘身底足两部分组成，上部分盘翻沿口（有一处小磕），弧腹，衔高足，盘内壁底部刻划莲瓣纹，胎质较粗，胎体较厚，釉色淡青，釉层丰厚，色泽柔和。下半部底足以三个童子为足，面朝外，躬身双手背后驮负供盘，造型新颖，整体特点为釉色古雅、沉稳，釉面均匀、滋润，釉质坚致、细腻，可以说是宋代龙泉窑代表作，更是不可多得的珍品瓷器，极具观赏与投资价值。

Longquan kiln is a famous kiln in the history of China. There are six kiln systems in Song Dynasty. The treasure of traditional Chinese porcelain making craft. Because its main producing area is in Longzhou, Zhejiang Province.

Spring City is named after it. It was founded in the Three Kingdoms and the Jin Dynasty and ended in the Qing Dynasty. It has a history of producing porcelain for more than 1600 years, which is the longest in the history of making porcelain in China.

A series of porcelain kilns, whose products sell well in many countries and regions of Asia, Africa and Europe, have a far-reaching impact. Longquan Kiln to Burn Green

Porcelain is famous for its style before the early Northern Song Dynasty, which was influenced by Yue kiln, Ou kiln and Wuzhou kiln. Its characteristics are similar to those of Sanyao kiln. Maternal plastid ratio

Coarse, thicker body, light blue glaze, slightly thin glaze.

 

Longquan kiln, named after Longquan County, Zhejiang Province, belongs to the celadon system of southern China. It was created in the early Northern Song Dynasty and reached its peak in the middle and late Southern Song Dynasty.

After the mid-Ming Dynasty, Longquan celadon declined gradually. From the lower limit of celadon handed down to the Kangxi period of the Qing Dynasty, it had a history of seven or eight hundred years. Northern Song Dynasty

Longquan celadon has thicker fetal bones, light grey fetal earth, ochre Brown kiln red on the exposed fetal sole, slightly burnt fetal body, good glaze vitrification and transparent glaze layer.

The glaze has a strong gloss. The decorative patterns are concise. The common patterns are fish pattern, banana leaf, golden branch, lotus and so on. Decoration style tends to be bold and unrestrained. Be in

Longquan celadon in the flourishing period of Southern Song Dynasty formed its own unique artistic style and showed its unique charm. Pink and blue in Northern Song Dynasty and Southern Song Dynasty

It is green onion with no opening at the turning point of the utensils. It often shows fetal color when exposed. The enamel is thick and moist. There are few carvings and scratches in decoration, but it is popular.

Decorations and reliefs, such as Pisces on plates and Peony on bottles, are often piled up.

 

A plate for holding fruit. Beginning with the general daily tray, Song Dynasty has special appliances, multi-seat, higher shape, according to the object of Pengguo worship.

Different, some have Buddha statues, some have God statues, some have powerful men on their seats, giving religious color. The offer with seats in Ming and Qing Dynasties

Less common are rectangular, quadrangular, pentagonal, hexagonal, octagonal, elliptical, plum-blossom, rhombic, lotus-leaf and leaf-shaped.

Peach-shaped dishes with landscape, flowers and birds, figures, etc. During the reign of Tongzhi and Guangxu in Qing Dynasty, with the rise of shallow crimson-coloured porcelain, it was also on the plate.

Many shallow crimson paintings are painted, and there are pictures inside and outside the plate, so some people call this plate "picture plate". Its use is not only for offering, but also for literati.

Aristotle's tray or fruit tray with melon seeds, peanuts and fresh fruits.

 

Longquan celadon in Song Dynasty is the historical peak of celadon technology. The glaze color and texture of celadon are as beautiful as artificial jade, which is artificially made all over the world.

It's dumped.

This Longquan kiln green glaze lotus petal pattern three-person foot plate, body bottom foot two parts, the upper part of the plate turning along the mouth (there is a place)

Xiaokou, arc abdomen, high foot, lotus petal pattern carved at the bottom of the inner wall of the disc, thick fetus, light blue glaze, rich glaze layer, soft color

And. The bottom of the lower half is enough for three children to be feet, facing outward, bowing hands and carrying plate behind their backs. It is novel in shape and has the overall characteristics of elegant glaze.

It is a masterpiece of Longquan kiln in the Song Dynasty and a rare treasure of porcelain.

It has ornamental and investment value.