盛世古玩下的清代瓷器精品推荐

 

盛世古玩下的清代瓷器精品推荐

 

【藏.荐】栏为藏品强大的传播效应向各位买家推荐经国家一级鉴定专家甄选的艺术珍品,为藏家牵线搭桥,让千百件艺术珍品价值被发掘与重视,在拍卖会上得以高价成交。

[Tibet. Recommendation] column for the strong dissemination effect of the collection to recommend to buyers the selected art treasures by experts at the first level of national appraisal, to bridge the gap for Tibetans, so that the value of thousands of art treasures are excavated and valued, and high-priced transactions can be concluded in the auction.

 

【名 称】：婴戏图五彩盖罐

 

【藏 品 类 型】: 瓷 器（景德镇制）

 

【藏 品 年代】： 清 代（清 晚）

 

【藏 品 信 息】: 底径：7cm 高：9.5cm 口径：12.5cm

 

【名 称】：琴棋书画五彩盖罐

 

【藏 品 类 型】: 瓷 器（乾隆年制）

 

【藏 品 年代】： 清 代（清 中）

 

【藏 品 信 息】: 底径：7cm 高：9.5cm 口径：12.6cm

[Name]: Baby Drama Colorful Covered Cans

 

[Collection Type]: Porcelain (Jingdezhen System)

 

[Collection Age]: Qing Dynasty (Late Qing Dynasty)

 

[Collection Information] Bottom Diameter: 7cm High: 9.5cm Diameter: 12.5cm

 

[Name]: Colorful cans for piano, chess, calligraphy and painting

 

[Collection Type]: Porcelain (Qianlong Annual System)

 

[Collection Age]: Qing Dynasty (Central Qing Dynasty)

 

[Collection Information] Bottom Diameter: 7cm High: 9.5cm Diameter: 12.6cm

婴戏图五彩盖罐

 

 

 

　婴戏图顾名思义是以儿童游戏为题材，描绘孩童嬉戏、玩耍的画面，大多是活泼有趣、逗人喜爱，充满欢乐喜庆的情景。反映了一种强烈的民俗心理，它与社会的发展有着密切的关系。 如宋代李嵩《货郎图》这幅画用线勾勒人物形态，略施淡彩，勾勒出平民阶层儿童的欢乐情况。有趣展现，尽显民间纯朴风情，有别于一般宫廷画家喜爱绚丽的画风。景德镇把婴戏图运用在瓷绘装饰当中，宋代的景德镇影青刻花瓷，因影青取青瓷和白瓷之长，釉色介于青白之间，青中闪白，白中泛青。影青刻花瓷“色白花青”“体薄而润”，造型稍长匀称，挺拔秀美，瓷色纯正，如冰似玉，青白相映，素雅恬静，纹样的内容丰富，形象简炼，手法利索。刻花瓷有两种：一种是以平刀为主，所谓平刀就是刻去花面周围的地皮，使纹样凸出，再在凸出的纹样上，用侧刀修饰刻花纹线条，完成花面。另一种是用侧刀为主，即倾斜刀面，一刀刻划的线条是一边深，一边浅，有宽有窄的各种线条，变化参差，形成纹饰，俗称“半刀泥”。 刻划花纹饰题材广泛，有人们喜闻乐见的花卉牡丹、莲花、秋菊、芙蓉、石榴、萱草等；动物有游鱼、水鸭、鸳鸯、龙凤、狮虎等；人物多为以胖娃娃为主题的“富贵宜男”、“婴戏纹”等；如宋代影青瓷枕，枕面上绘一童子紧身华绣衬衫，腰束带，足蹬长筒高靴，右手高举秋杖，神态专注地准备击打地面上的小球，虽然刻画简单，却生动活泼，把一个在玩球的童子活灵活现展现在世人面前，显示古代工匠们高超的技巧。明清时期是婴戏图的鼎盛期，从简单的一两个幼童形象发展到百多个幼童，幼童神态各异。明代宣德以前多为“庭园婴戏”，孩子们在庭园内活动。宣德后，多为郊外婴戏，孩子们嬉戏在户外，且婴孩的形象变化尤为分明，永、宣时期，孩童矮胖、头大，前脑尤大，圆圆的脸，额上几根流海，几个孩子一起玩，又叫群婴戏。孩童形象折射出社会的安定不同时代、不同季节、不同服饰、不同的花卉与场景设计，表现婴戏也有区别，但连贯成一幅趣味横生、可爱生动的古代儿童玩耍图景，孩童嬉笑玩闹、天真烂漫的意趣让人爱不释手。陶瓷艺术品的创造总能够映现那个时代的特征。观赏婴戏图，让人感叹盛世的难得，只有当民众安居乐业的时候，儿童才能无忧无虑地健康成长。让我们更加珍惜现今国运昌盛的大好局面。

 

 

琴棋书画五彩盖罐

 

五彩为明清时期新品种，由宋元釉上加彩的基础上发展而来。明代彩料中无蓝彩，需用蓝色表现之处，皆以青花代之，称“青花五彩”，成为独特的时代特征，以嘉靖、万历五彩为代表。嘉靖、万历朝五彩施彩特点是：大量采用釉上矾红和釉下青花二彩，釉下青花与釉上多种彩相结合，多用黑彩或赤褐色线勾描纹样轮廓，画面浓重艳丽。清代五彩以康熙朝最负盛名，除常用的红、绿、黄、褐、紫彩外，还新配制了釉上蓝彩取代釉下青花，金彩和黑彩也广泛应用，使之色彩更为瑰丽多姿、浓艳夺目。康熙五彩除在白瓷地上彩绘外，还在各色颜色釉器及各种瓷地上施彩，使得五彩瓷器别开生面，别具一格：由于康熙时新创了粉彩，五彩历史久远，故而康熙五彩又称为“古彩”。粉彩的特点是色彩绵软柔和，俗称“软彩”;五彩的色泽明亮，所以康熙五彩又称“硬彩” 雍正时期，粉彩盛行，五彩趋于衰落，所见多为小件器，画意较精细，不似康熙五彩粗犷豪放。乾隆以后则基本上不见单独的五彩瓷器，而多与粉彩、珐琅彩等并用。

 

此五彩琴棋书画盖罐器形并不大，整体把玩显得小巧、自然、可爱，是一件精美的瓷器珍品。其形制规整，隽秀尔雅，比例协调，胎体细密坚致，敦实秀润，釉质坚密，釉色莹润华丽，色彩相配得当，相互辉映，纹饰丰富多彩，细致入神，飘逸灵动，极具神采。无论从胎质、釉彩，还是造型、纹饰等方面都追求精益求精，釉面光滑细腻，胎土淘练精细，胎釉结合好，整体表现出了规矩、挺拔、大气和华丽的特色，具有很高的观赏价值和收藏价值。此五彩福寿盖罐器形并不大，整体把玩显得小巧、自然、可爱，是一件精美的瓷器珍品。其形制规整，隽秀尔雅，比例协调，胎体细密坚致，敦实秀润，釉质坚密，釉色莹润华丽，色彩相配得当，相互辉映，纹饰丰富多彩，细致入神，飘逸灵动，极具神采。无论从胎质、釉彩，还是造型、纹饰等方面都追求精益求精，釉面光滑细腻，胎土淘练精细，胎釉结合好，整体表现出了规矩、挺拔、大气和华丽的特色，具有很高的观赏价值和收藏价值。

这两件藏品为藏家家传之宝，保存完好，器型规整，大小一致，可遇不可求，是难道一见的藏品，值得收藏。

 

 

Baby Drama Colorful Covered Cans

 

 

As the name implies, baby play pictures are based on children's games, depicting children's play and play pictures, mostly lively and interesting, lovely, full of joy and festivity. It reflects a strong folk psychology, which is closely related to the development of society. For example, in Song Dynasty, Li Song's "Goodman Tu" outlines the shape of the characters with lines, lightly colored, and delineates the happy situation of children in the civilian class. Interesting display, to show the simple folk customs, unlike the general court painters love gorgeous painting style. Jingdezhen used babies'dramas in the decoration of porcelain paintings. Jingdezhen shadow blue-and-white carved porcelain in the Song Dynasty took the advantages of blue-and-white porcelain because of the shadow blue. The glaze color was between blue and white, and the glaze was white in the middle of the blue and pan-blue in the middle of the white. Shadow blue carved porcelain is white and blue, thin and moist, with a slightly long and symmetrical shape, tall and beautiful, pure porcelain color, such as ice like jade, green and white, elegant and tranquil, rich in patterns, concise image and agile technique. There are two kinds of carved porcelain: one is based on flat knife, the so-called flat knife is to carve the ground around the face, make the pattern protrude, and then on the protruding pattern, modify the carved pattern lines with side knife to finish the pattern. Another is to use side knife mainly, that is, inclined knife face, one knife is characterized by a deep side, shallow side, wide and narrow lines, varying, forming decorations, commonly known as "half-knife mud". The theme of flower pattern decoration is extensive, including peony, lotus, autumn chrysanthemum, hibiscus, pomegranate, Hemerocallis and so on, animals such as fish, duck, Mandarin duck, dragon and phoenix, lion and tiger, and characters such as "rich and noble, suitable for male" and "baby drama pattern" with the theme of fat dolls, such as the shadow blue-and-white porcelain pillow of the Song Dynasty, with a child painted on the pillow surface. Tight-fitting embroidered shirt, waistband, foot boots, right hand high autumn stick, look intently ready to hit the ball on the ground, although simple depiction, but lively, a boy playing ball vividly displayed in front of the world, showing the excellent skills of ancient craftsmen. Ming and Qing Dynasty is the peak of infant drama, from a simple image of one or two young children to more than 100 young children, young children have different looks. Before the Ming Dynasty, Xuande used to be "Baby Play in the Garden", in which children moved. After Xuande, most of the children played in the countryside. The children played outdoors, and the image of the babies changed distinctly. In Yongxuan period, the children were short, fat, big-headed, with a large forehead, round face, a few drifting seas on their foreheads, and several children played together, also called group baby play. Children's image reflects the stability of society in different times, different seasons, different costumes, different flower and scene designs. There are also differences in the performance of infant play. However, it is a picture of interesting, lovely and vivid ancient children's play. Children's playfulness and naivety make people fond of it. The creation of ceramic works of art can always reflect the characteristics of that era. Watching babies'dramas makes people lament the rarity of the flourishing age. Only when people live and work in peace and contentment can children grow up healthily and carelessly. Let's cherish the prosperity of our country even more.

 

 

Piano, Chess, Calligraphy and Painting Colorful Covered Cans

 

Colorful glaze is a new variety in Ming and Qing dynasties, which was developed from the glaze of Song and Yuan dynasties. There is no blue color in the colors of Ming Dynasty. Where blue color is needed, blue and white are replaced by blue and white, which is called "blue and white and colorful". It has become a unique feature of the times and is represented by Jiajing and Wanli colors. Jiajing and Wanli dynasties are characterized by the use of a large number of overglaze alum red and underglaze blue and white, the combination of underglaze blue and white with a variety of overglaze colors, the use of black or reddish brown lines to outline patterns, and the rich and gorgeous picture. The Qing Dynasty's colors are most famous in the Kangxi Dynasty. In addition to the commonly used red, green, yellow, brown and purple colors, the blue color on the glaze was newly prepared to replace the blue and white under the glaze. Golden and black colors were also widely used to make the colors more magnificent and colorful. In addition to painting on the white porcelain ground, Kangxi's colorful glazes and various kinds of porcelain ground are also painted, which makes the colorful porcelain unique and unique: because of the new creation of pastel in Kangxi and the long history of colorful, Kangxi's colorful is also known as "ancient color". Pink is characterized by soft and soft colors, commonly known as "soft colors". Five colors are bright, so Kangxi Five Colors is also known as "hard colors" Yongzheng Period. Pink is prevalent and multicolors tend to decline. Most of the paintings are small pieces, which are more delicate, unlike Kangxi's bold and bold colors. After the Qianlong Emperor, there was no single multicoloured porcelain, but it was mostly used with pastels and enamels.

 

This colorful piano, chess, calligraphy and painting cover pot shape is not large, the overall play appears small, natural, lovely, is a delicate porcelain treasure. Its shape is regular, meaningful and elegant, the proportion is coordinated, the body is fine and compact, solid and graceful, the glaze is dense, the glaze is bright and gorgeous, the color matches properly, reflects mutually, the decoration is rich and colorful, meticulous and spiritual, elegant and agile, with great grace. Whether from the matrix, glaze, or shape, decoration and other aspects of the pursuit of excellence, glaze smooth and delicate, refined earth scouring, good combination of tire glaze, the overall performance of rules, upright, atmospheric and gorgeous features, with high ornamental value and collection value. This multi-colored Fushou lid pot is not big in shape. It looks small, natural and lovely as a whole. It is a delicate porcelain treasure. Its shape is regular, meaningful and elegant, the proportion is coordinated, the body is fine and compact, solid and graceful, the glaze is dense, the glaze is bright and gorgeous, the color matches properly, reflects mutually, the decoration is rich and colorful, meticulous and spiritual, elegant and agile, with great grace. Whether from the texture, glaze, or