龙泉窑天青贯耳瓶

贯耳壶直颈（长脖子）、圆腹（边远）、圈足，最具特色的是靠近瓶口颈部两侧的，一对竖直的管状贯耳。从宋代开始，贯耳瓶的烧制几乎没有断绝，后世不断仿制，而且多被皇族垄断。

Ear pot straight neck (long neck), round abdomen (remote), circle feet, the most characteristic is near the neck neck on both sides of the bottle, a pair of vertical tubular ear. Since the song dynasty, the firing of guan er vase was almost never cut off.

贯耳瓶在古代的功能是作为一种陈设用品，作为众多瓷器形制的一种，贯耳瓶也拥有其特色，尤其那对贯耳，在别的瓷器上很难见到。贯耳瓶的两只耳朵呈直管状，某种程度上也有劝诫君王广开言路、善于纳谏的含义。或许基于此，贯耳瓶才会得到历代皇家的推崇。

In ancient times, the function of guan er bottle was as a display article. As one of the shapes and systems of numerous porcelains, guan er bottle also has its own characteristics, especially the pair of guan er, which is rarely seen on other porcelains. The two ears of the bottle are straight tube shape, and to some extent, it also has the meaning of admonition the king to be open and receptive to remonstrance. Perhaps based on this, guan er bottle will be respected by the royal dynasties.

贯耳瓶有着深厚的文化内涵，从源头看起，《邛窑古陶瓷研究》书中提到：“贯耳式样，早在新石器时代良渚文化的髙颈陶壶即有雏形。说明贯耳瓶有着悠久的历史。到了汉代，贯耳瓶被用作投壶，投壶是古代宫廷宴饮的一种礼仪。

Guan er bottle has a profound cultural connotation, from the source, "qiongyao ancient ceramics research" book mentioned: "guan er style, as early as the neolithic age liangzhu culture of high neck pottery pot has an embryonic form. It shows that guan er bottle has a long history. In the han dynasty, guan er vase was used as a kind of throwing pot, which was a kind of etiquette for feasting in the ancient court.

昔日的投壶在宋代已难觅踪影，但贯耳瓶优雅的造型艺术已由早期的娱乐工具的主功能，变更成为了陈设器或瓷质酒器。功能上的变化也决定了它的使用对象与范围，所从，从宋代开始至清代，贯耳瓶始终以它髙贵的身份，被历代皇族保留了下来。

The former dao hu was hard to find in song dynasty, but the elegant plastic art of guan er bottle has changed from the main function of the early entertainment tool to display or porcelain wine vessel. The functional changes also determine the object and scope of its use. Therefore, from song dynasty to qing dynasty, guan er vase has been retained by the imperial family as a high treasure.

贯耳瓶在清代各朝都有烧制，光绪一朝距今仅一百多年。虽然光绪朝处于风雨飘摇，朝政混乱，政治腐败，管理混乱之中，但是这一朝烧制的贯耳瓶数量却尤多，传世品也极为丰富，釉彩各异。有祭蓝、茶叶末、粉青、仿官、仿哥、白釉等。

Guan er vase in the qing dynasty in each dynasty were fired, guangxu dynasty only a hundred years ago. Although the guangxu dynasty was in turmoil, political chaos, political corruption and management chaos, the number of guan er bottles fired in this dynasty was especially large, and the handed down products were also extremely rich, with different glazes. Offering blue, tea, powder green, imitation officer, imitation brother, white glaze.

从瓷器艺术上来看，由于宋代的龙泉窑、官窑等知名窑系对贯耳瓶都有烧制，贯耳瓶的价值也就水涨船高。对于古人来讲，是精美的艺术品。到了现代，那些上了年头的贯耳瓶成为藏家眼中的宝贝，尤其是宋代官窑烧制的贯耳瓶，在市场上颇有价值。

From the perspective of porcelain art, the famous kilns in the song dynasty, such as longquan kiln and guan kiln, were all firing guan er bottles, so the value of guan er bottles rose. To the ancients, it was a fine work of art. In modern times, those old guan er bottles have become treasures in the eyes of collectors, especially the guan er bottles fired by imperial kilns in song dynasty, which are quite valuable in the market.