中国艺术瑰宝紫砂界大师——陈鸣远款紫砂猪！

　　陈鸣远字鸣远，号鹤峰，又号石霞山人，壶隐，清康熙年间宜兴紫砂名艺人，陈鸣远约生于康熙十九年(1680)前后，是陈子畦之子，陈子畦师承时大彬，因此可以说陈鸣远为时大彬第三代嫡传弟子，也是几百年来壶艺和精品成就很高的名手，陈鸣远出生于紫砂世家，所制茶具、雅玩达数十种，无不精美绝伦，他还开创了壶体镌刻诗铭之风，署款以刻铭和印章并用，款式健雅，有盛唐风格，作品名孚中外，当时有“海外竞求鸣远碟”之说，对紫砂陶艺发展史建立了卓越功勋。(详见紫砂书籍《壶魂》、《壶论》)。

　　英文翻译：

Chen Mingyuan, the name of Mingyuan, the name of Hefeng, also known as Shixia Mountain, Hu Yin, a famous artist in Yixing Zisha during the Kangxi period of the Qing Dynasty, Chen Mingyuan was born around the 19th year of Kangxi (1680). Shi Dabin, it can be said that Chen Mingyuan is Shi Dabin's third generation of disciples, and is also a celebrity who has achieved great achievements in pot art and fine arts for hundreds of years. Chen Mingyuan was born in a family of purple sand, and he produced dozens of tea sets and Yawan, All are exquisite, he also created the style of engraving poetry inscriptions on the body of the pot. The funds are used together with inscriptions and seals. The style is elegant and elegant, with the style of the Tang Dynasty. The name of the work is Chinese and foreign. At that time, there was "Overseas Competition" He said that he has established outstanding achievements in the development history of Zisha pottery. (For details, please refer to Zisha books "Hun of Pot" and "On Pot".

　　陈鸣远制壶及仿生类紫砂技艺精湛全面，又勇于开拓创新。他仿制的爵、觚、鼎等古彝器，工艺精，品位高，古趣盎然。所制茗壶造型多种多样，特别善于自然型类紫砂的制作，作品有瓜形壶、莲子壶、束柴三友壶、松段壶、梅干壶、蚕桑壶、仿生物类等均极具自然生趣，把自然型壶、仿生动物等在明人的基础上，进一步推向艺术化的高度。这些壶式不仅是他的杰出创造，而且成为砂壶工艺上的历史性造型，为后来的制壶家们广泛沿用。他多才多艺，还制作了许多案头陈设的清供雅玩和文房用具，像生的菱角、扁豆、花生、玉蜀黍、鶿菇、栗子、藕片、荸荠、核桃、白果、动物类等等，无不精妙，把果蔬及动物的自然生态，表现的淋漓尽致，惟妙惟肖，再配以契合果蔬肌理的泥色，给人以活生生鲜灵灵的审美感受，令人拍案叫绝。

　　英文翻译：

Chen Mingyuan's pot making and bionic purple sand are superb and comprehensive, and they are also brave in pioneering and innovative. His imitation of ancient Yi wares such as jue, goblet, and tripod have fine craftsmanship, high taste, and ancient interest. The tea pots produced are of various shapes, especially good at the production of natural type purple sand. The works include melon-shaped pots, lotus seed pots, Shuchai Sanyou pots, pine section pots, prunes pots, silkworm mulberry pots, biomimetic etc. To be interesting, the natural type pots, bionic animals, etc., on the basis of the Ming people, are further pushed to an artistic level. These pot styles are not only his outstanding creations, but also the historical shapes in the sand pot craft, which are widely used by later pot makers. He is versatile, and he has produced many tableware and entertainment appliances for tableware, such as raw water chestnuts, lentils, peanuts, maize, oyster mushrooms, chestnuts, lotus root, water chestnuts, walnuts, ginkgo, animals, etc. The natural ecology of fruits, vegetables and animals is vividly and vividly presented, combined with the mud color that fits the texture of fruits and vegetables, giving people a lively, fresh and spiritual aesthetic feeling, which is absolutely stunning.

　　他还开创了壶体镌刻诗铭作装饰，署款以刻名和印章并用，把中国传统绘画书法的装饰艺术和书款方式，引入了砂壶的制作工艺，使原来光素无华的壶体增添了许多隽永的装饰情趣，也使砂壶更具有了浓厚的书卷气，再加之诗铭、书款的书法雅健娟秀，富有晋唐笔意，从而把壶艺、品茗和文人的风雅情致融为一体，极大的提高了砂壶的艺术价值和文化价值，成为真正的艺术品进入了艺术殿堂，这是陈鸣远在壶艺发展史上建立的卓越功勋。

　　英文翻译：

He also created a pot with engraved poems and inscriptions for decoration. The section used both engraved names and seals to introduce the decorative art and calligraphy methods of traditional Chinese painting and calligraphy into the production process of sand pots, adding to the original glorious pot body. A lot of time-honored decorative tastes have also made the sand pot more full of book spirit, coupled with the poetry inscriptions and calligraphy of the book, Ya Jianjuanxiu, rich in Jin and Tang styles, thus integrating the elegance of the pot art, tea tasting and literati. The integration has greatly improved the artistic value and cultural value of the sand pot, and has become a real artwork to enter the art palace. This is the outstanding merit established by Chen Mingyuan in the history of pot art development.

　　本藏品为陈鸣远老先生亲手所做仿生类紫砂摆件，藏品本身形态优美，符合他所制藏品风格及理念，接近于自然，立体感强，可谓对一无二，制作工艺复杂，难能可贵，充满大自然的生动情趣和人文气息，令人拍案叫绝;壶底署款为“陈鸣远”，以刻名把中国传统绘画书法的装饰艺术和书款方式引入紫砂壶的制作工艺，使原来光素无华的紫砂增添了许多隽永的装饰情趣，也使紫砂具有了浓厚的书卷气，极大地提高了紫砂壶的艺术价值和文化价值，使紫砂猪成为真正的艺术品并进入艺术殿堂，这是陈鸣远在紫砂艺发展史上建立的卓越功勋。此壶造型规整小巧，做工精湛，工艺处理极其到位，淋漓尽致，陶泥精细，包浆自然，保存完好，兼顾实用价值和收藏价值。造型朴实，色泽高雅动人，刻绘意趣美妙，是紫砂收藏的最好选择。

　　英文翻译：

　　This collection is a bionic purple sand decoration made by Mr. Chen Mingyuan. The collection itself has a beautiful shape, which is in line with the style and concept of the collection he made. It is close to nature and has a strong three-dimensional sense. It can be described as unique. The production process is complex, valuable, and full of nature. The vivid taste and humanistic atmosphere make people beat the case; the bottom of the pot is "Chen Mingyuan". The carved art of the traditional Chinese painting and calligraphy is introduced into the production process of the purple sand pot with the engraved name, which makes the original glazed purple sand. Many timeless decorative tastes have been added, and Zisha has a strong book spirit, which greatly improves the artistic value and cultural value of Zisha Pot, making Zisha Pig a real work of art and entering the art hall. This is the development of Chen Mingyuan in Zisha Art Outstanding achievements established in history. The shape of this pot is neat and compact, with exquisite workmanship and extremely well-processed craftsmanship. It is incisive and vivid, with fine clay and natural encapsulation. It is well preserved, taking into account both practical value and collection value. The shape is simple, the color is elegant and moving, and the painting is interesting and beautiful. It is the best choice for the purple sand collection.