云南盛世九州艺术品有限责任公司精品推荐 观音造像

云南盛世九州艺术品有限责任公司

云南盛世九州艺术品有限责任公司--保利云南唯一指定征集推荐合作单位，是一家以艺术品展览、展销、鉴定、评估、拍卖、国内贸易等业务为推广的国际文化艺术品交流中心，也是中国国学院大学授权成立的文化艺术品研究所。 公司联合中国国学院大学，开创艺术品＋金融投资体系，借力资本市场，整合各界资源，实现资本与艺术品的有效对接，积极推动国内艺术品行业与国际艺术品市场接轨，打造以云南为核心的大型艺术品交易平台。

【名称】 观音造像

【拍卖时间】2020年

【拍卖单位】北京瀚古国际拍卖

【规格】  高：72cm  底径：17.3cm

【类别】杂项

观世音菩萨(梵文:，Avalokiteśvara)，观世音来自于竺法护与其弟子译于长安敦煌寺的 《正法华经》。竺法护初译"光世音" 其弟子聂道真改为"观世音"。 玄奘新译为观自在，中国每略称为观音。

观世音菩萨是佛教中慈悲和智慧的象征，无论在大乘佛教还是在民间信仰，都具有极其重要的地位。以观世音菩萨为主导的大慈悲精神，被视为大乘佛教的根本。佛经上说，观世音是过去的正法明如来所现化，他在无量国土中，以菩萨之身到处寻声救苦。观世音与阿弥陀佛有着特殊的关系。他是西方三圣中的一尊， 也是一生补处的法身大士，是继承阿弥陀佛位的菩萨，而且还有说观世音就是阿弥陀佛的化身。

大清康熙年制描金观世音菩萨老佛像，法相端庄，面部慈祥，佛音袅袅，老包浆，工艺精美，实属罕见的艺术瑰宝。身上披一风巾，面容清秀，五官秀美细腻，广额弯眉，丰腴端庄。表情安然慈祥。凤眼微启，双眼低垂，唇角深凹，微微上翘，浮现出一丝若隐若现的笑意，显得妙丽庄严。手持净瓶，，姿态优雅，高贵优雅，台座高大，显得亭亭玉立。

佛像收藏升温的另一个重要原因是其无与伦比的艺术价值，佛像绚丽的纹饰、优美的造型、慈祥的面容、四射的魅力，在给人们艺术享受的同时，还能“抚慰人的心灵”，这是其他艺术品所不能代替的。佛教艺术品本身所蕴涵的宗教神秘感、历史性、民族性迎合了收藏爱好者和投资人士日益提高的审美品位。佛教艺术品传递吉祥，以造像艺术之美传递佛教文化的庄圣善美，以祈福文化对应受众内心深处的渴望与需求，各类受众群体能从众多的佛教艺术品中找到相对适合自己的藏品，从而激发他们的收藏愿望。

Yunnan Shengshi Kyushu Art Co. LTD

Yunnan Shengshi Jiuzhou artworks Co. Ltd. - poly Yunnan is the only one designated to solicit and recommend cooperation unit. It is an international cultural art exchange center promoting art exhibition, exhibition, appraisal, evaluation, auction, domestic trade and other businesses. It is also a cultural art research institute authorized by the University of China National University. The company, together with the University of the United Nations College of China, has created an art + financial investment system, utilized the capital market, integrated resources from all walks of life, realized the effective connection between capital and artworks, actively promoted the integration of domestic art industry and international art market, and built a large-scale art trading platform with Yunnan as the core. 

[Name] Avalokitesvara statue

[Specification] Height: 72cm  Bottom diameter: 17.3cm                        

[Category]  Miscellaneous

Guan Yin: , Avalokite Vara, avalokitesvara is from the Lotus Sutra translated by Dharmarakṣa and his disciples at Dunhuang temple in Chang 'an. Zhu fahu Chu translated "guangshiyin" and his disciple Nie Daozhen changed it to GuanShiYin. Xuanzang's new translation is Guanzi, which is called Guanyin in China.

Avalokitesvara is a symbol of compassion and wisdom in Buddhism. It plays an important role in Mahayana Buddhism and folk belief. The spirit of great compassion led by the Bodhisattva Avalokitesvara is regarded as the foundation of Mahayana Buddhism. According to the Buddhist scriptures, Avalokitesvara is a manifestation of the past positive Dharma and the Buddha. In the boundless land, he searched everywhere for sound to save suffering. Guanyin has a special relationship with Amitabha. He is one of the three sages in the West. He is also a Dharma Master who mends the place of Amitabha all his life. He is a Bodhisattva who inherits the position of Amitabha. Moreover, it is said that Guanyin is the embodiment of Amitabha.

In the reign of Emperor Kangxi of Qing Dynasty, the old statue of GuanShiYin Bodhisattva was made in the reign of Emperor Kangxi of the Qing Dynasty. It is a rare art treasure with solemn Dharma, benevolent face, curly Buddha sound and old Baojiang. Wearing a wind towel, his face is delicate and delicate, his forehead is wide and his eyebrows are curved, plump and dignified. The expression is safe and kind. Phoenix eyes slightly open, eyes droop, lips deep concave, slightly up warped, emerged a glimmer of faint smile, beautiful and solemn. Holding a clean bottle, elegant posture, noble and elegant, the pedestal is tall and slim.

Another important reason for the rise in the collection of Buddhist statues is its unparalleled artistic value. The gorgeous ornamentation, beautiful shape, kind face and radiant charm of Buddha statues can not only give people artistic enjoyment, but also "comfort people's hearts", which can not be replaced by other works of art. The religious mystery, historicity and nationality contained in Buddhist artworks cater to the increasing aesthetic taste of collectors and investors. Buddhist art works convey auspiciousness, the beauty of statue art conveys the Zhuang Sheng Shan beauty of Buddhist culture, and the praying culture corresponds to the deep desire and demand of the audience. All kinds of audience groups can find their own collections from the numerous Buddhist artworks, thus stimulating their desire for collection.