儒行天弈精品推荐 ---乾隆粉彩八仙龙纹钵

粉彩创于康熙中期，深受当时珐琅彩影响。粉彩瓷是在粉彩内搀入铅粉并加施玻璃白，使色彩浓艳程度减弱，用水淡洗法涂饰花纹，使层次由浓到淡呈现出繁多的层次，色调湿润柔和，具有立体感。

康熙时粉彩风格简朴，色料粗糙，施彩浓厚，官窑少有大器，纹饰多以云龙纹和花卉纹为主，常见器有云龙纹香炉、海灯、净水碗等。还有人物类，如粉彩八仙人物塑像等。粉彩分为红、黄、绿、黑、白等诸色。粉彩瓷新品种的出现，因受到人们的喜爱，很快就发展起来，到乾隆时基本上代替了五彩瓷器。

he pink color was created in the middle of Kangxi, deeply influenced by the enamel color at that time. Painted porcelain is mixed with lead powder in the pastel and added glass white, so that the degree of color intensity weakened, with water light washing method to paint patterns, so that the layers from thick to light show a variety of layers, moist and soft tone, with a three-dimensional sense.

Kangxi simple pink color style, rough color, thick color, the official kiln has few large, decorative mostly to cloud dragon grain and flower grain, the common apparatus has cloud dragon grain incense stove, sea lamp, water purification bowl and so on. There are also characters, such as pink eight fairy figures statue and so on. Pink is divided into red, yellow, green, black, white and other colors. The emergence of new varieties of pink porcelain, because of people's love, soon developed, when Qianlong basically replaced the multicolored porcelain.

雍正时大量烧制粉彩器，影响到民窑。图案纹饰多为人物、花卉，花卉中又以“虞美人”为典型。牡丹的画法，一改前时的那种双犄形，而作圆形盛开状。人物仕女画甚为细致，以白釉为地施彩，加绘青花者极少。

乾隆时粉彩广泛使用，品种除继用白釉地粉彩与色地粉彩外，还有加绘釉下青花。在大件器物的上下部分为色地，腹部为白地或色地开光，绘出粉彩纹饰，并写有乾隆御题诗句。最著名的白地粉彩器有百鹿尊、九桃天球瓶、九桃盘及三果、婴嬉大碗等，其胎质厚薄均匀，轻重适度，釉面匀净，釉色青白，色彩鲜亮，层次分明。色地开光器有红、黄、紫、绿、蓝、金、粉等釉地。器形有瓶类、加施螭耳、凤耳、如意三果耳等。器足及器里施豆瓣绿釉，书有青花款和金彩款，官窑多施红彩款。乾隆时期出现的新品种，是在色地上剔划出较浅的忍冬蔓草纹和规矩图案，工艺复杂，难度较大。乾隆时粉彩品种繁多，粉彩产品工艺之高已达到了高峰。

Yongzheng when a large number of powder color, affecting the kiln. Pattern decoration for the characters, flowers, flowers in the "Yu beauty" as a typical. Peony painting, a change before the kind of double-horn shape, and for the shape of a circle. Character lady painting is very meticulous, white glaze for the ground color, add blue and white painted very few.

Qianlong was widely used in pink, varieties in addition to the white glaze and color ground pink, but also painted under the blue and white glaze. In the upper and lower parts of the large objects for the color ground, the abdomen for the white ground or color to open light, painted white-colored ornaments, and write Qianlong imperial poem. The most famous white ground powder color apparatus is Bai Lu Zun, nine peach sky ball bottle, nine peach plate and three fruit, baby big bowl and so on, its tire quality is thin and even, the weight is moderate, the glaze is even, the glaze color is green and white, the color is bright, the layer is clear. There are red, yellow, purple, green, blue, gold, powder and other glaze. Apparatus have bottle type, add Chi ear, Feng ear, Ruyi three fruit ear, etc. Apply bean green glaze to the foot and vessel, The book has blue and white and gold color, official kiln more red color. The new varieties appeared in the Qianlong period were the shallow lines and regular patterns of Lonicera japonica on the color ground. There are many kinds of pink color in Qianlong, and the technological height of pink color products has reached the peak.

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在我国神话传说中，道教中有八仙之说，分别是铁拐李、汉钟离、张果老、蓝采和、何仙姑、吕洞宾、韩湘子、曹国舅。关于八仙的故事流传甚广，尤其是“八仙过海，各显神通”的传说几乎家喻户晓，脍炙人口。历史上，很多文学、戏剧中融入了八仙的传说，以八仙为素材的艺术作品亦层出不穷，陶瓷、绘画、竹刻、刺绣、木雕以及文房器具上屡屡出现，赏心悦目，使八仙的故事得以绵延传承并深入人心。

In the myths and legends of our country, there are eight Immortals in Taoism, which are Tiegu Li, Han Zhong Li, Zhang Guo Lao, Lan Cai he, he Xiangu, Lu Dongbin, Han Xiangzi, Cao Guo uncle. The story about the eight Immortals spread widely, especially the "eight Immortals across the sea, each show the spirit of the legend almost household name, popular. History, many literature, drama into the legend of the eight Immortals, with the eight Immortals as the material of the art works are endless, ceramics, painting, bamboo carving, embroidery, wood carving and stationery, often appeared, pleasing to the eye, so that the story of the eight Immortals can be passed on and deeply rooted in the hearts of the people.

此件“乾隆.粉彩八仙龙纹钵（一对）”口径：15.2cm，高：8.2cm，色彩艳丽，碗壁图画以八仙人物为主，以红、绿、蓝等色彩描绘，画面表现为“多子、多福、多寿”的寓意，整体构图主次分明，错落有致；绘画细致工整，工艺精湛绝伦，碗底以“大清乾隆年制”三行六字，瓷质细密，釉色亮丽，浑然一体，无丝毫瑕疵，器型规整，让人眼前一亮，值得珍藏。

this "qianlong. Pink eight fairy dragon grain bowl (a pair)" caliber :15.2 cm, high :8.2 cm, colorful, bowl wall picture to eight fairy characters, to red, green, blue and other color depiction, the picture is "many son, more blessing, more longevity" moral, the overall composition of the primary and secondary clear, scattered; painting meticulous, exquisite workmanship, bowl bottom to "Qing Qianlong years" three lines six characters, porcelain fine glaze, bright color, integrated, without any blemish, the shape of the device, let a bright, worthy of treasure.