古玩城2020精品推荐第五期：清代足银刻花福寿银手镯 

在清代，由于经济的不断发展，同时也为了迎合帝王、权贵的喜好，各种工艺都以华丽为尚，家具、石刻、建筑等，无论色彩还是样式都变得富丽堂皇。各种手工艺的水平也达到了登峰造极的程度，金属的雕刻、镂空、花丝、珐琅等获得了较大的发展。到了康熙、乾隆年间，银器、银饰品的使用不再是贵族阶层的专利，而是步入了每个家庭，不分贫富贵贱三教九流，女人头戴银头饰、男人腰佩银挂件已成为一种时尚。

In the Qing Dynasty, due to the continuous development of economy, as well as to cater to the preferences of emperors and dignitaries, all kinds of crafts were gorgeous. Furniture, stone carvings, architecture, etc., became magnificent in color and style. The level of various handicrafts has also reached the peak, and metal carving, hollowing out, silk, enamel and so on have been greatly developed. During the reign of Emperor Kangxi and Qianlong, the use of silver and silver ornaments was no longer the exclusive right of the aristocracy, but entered every family, regardless of the poor, the rich, the noble and the humble.

在当时银楼、银作坊、银店分布全国各地，做工也越来越多讲究，扭、锤、穿、拉、嵌、镀、包银都得到了发挥。银饰文化在民间大展宏图，大放异彩，构成了中国传统银饰文化的主要内涵。可以说，每件作品都让人赞叹民间艺术家丰富、神奇的想象力和睿智的设计构思。

At that time, silver houses, silver workshops and silver shops were distributed all over the country, and more and more attention was paid to the workmanship. Twisting, hammering, wearing, pulling, inlaying, plating and silver coating were all brought into play. The silver ornament culture has made great progress in the folk culture, which constitutes the main connotation of Chinese traditional silver decoration culture. It can be said that each work makes people admire the rich, magical imagination and wise design ideas of folk artists.

这一对清代足银刻花福寿银手镯 ，纯银打造，圆条不咯手，表面光滑。工艺讲究整体器型典雅大气，暗刻优美纹饰，琢工细腻，工艺复杂且十分精湛，经过长时间的岁月蹉跎，表面已经形成浓厚的包浆，具有强烈的时代感，保存完好，具有不错的收藏价值。

In the Qing Dynasty, this bracelet is made of pure silver. The craftsmanship pays attention to the overall shape of the ware, elegant atmosphere, dark carved beautiful patterns, exquisite craftsmanship, complex and very exquisite technology. After a long time of waste, the surface has formed a thick slurry, with a strong sense of the times, well preserved, and has a good collection value.

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