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盛世古董下的明代舍利精品推荐

发布时间:2019-08-29 22:56来源:
盛世古董下的明代舍利精品推荐 成都博古轩拍卖有限公司【藏 . 荐】栏 为藏品强大的传播效应向各位买家推荐经国家一级鉴定专家甄选的艺术珍品 , 为藏家牵线搭桥 , 让千百件艺术珍

盛世古董下的明代舍利精品推荐

成都博古轩拍卖有限公司【藏.荐】栏 为藏品强大的传播效应向各位买家推荐经国家一级鉴定专家甄选的艺术珍品,为藏家牵线搭桥,让千百件艺术珍品价值被发掘与重视,在拍卖会上得以高价成交。

Chengdu Boguxuan Auction Co., Ltd. [Tibet. Recommendation] column recommends art treasures selected by experts at the first level of national appraisal to buyers for the powerful dissemination effect of the collection. It helps collectors to bridge the gap, so that the value of thousands of art treasures can be excavated and valued, and high prices can be concluded at the auction.

【名称】:明代舍利

【规格】 :一颗

[Name]: Sari in Ming Dynasty

[Specification] One

 

 

 

舍利子形成原因也并无神秘之处,因为大凡修炼之人,其饮食结构较常人节俭,喜素食,人体中的微量元素和矿物质比常人丰富。佛教高僧圆寂之后绝大多数(尤其是早期)均为木炭火化,高碳和体内多年沉积的金属盐矿物质,形成极难烧毁的高碳结晶。

 

  来历基本无外乎三种:首先是上面说的人体自然结晶,其次就是随身佩带的宗教挂件(佛珠/吊坠)等,有一些舍利检测之后发现含有人工的琉璃类物质就是此原因。后就是一些人为了某些目的后加入的,这个就不详说了。

  有人会提出异议:食肉的藏地僧人,烧出舍利子者较汉地多,这证明素食与舍利子其实并没有必然的关系,应该说不是主要的因素,主要因素是长久的坐禅,还有就是火化环境有很大不同,坐化的高僧使用柴堆火化的,而普通人则是在火化炉中火化的,后者在喷油、喷气状态下,温度高达一千多度,此时任何人都很难形成舍利子。

  科学对舍利子的分析,佛教界其实也是清楚的,佛教界不以为然,因为舍利子的神奇并不在于它的组成元素,在这个问题上纠缠不清是本末倒置,就像寺庙里的佛菩萨,科学不用测试,我们也知道是泥、木头、玉或贵金属做成的,信众的跪拜并不是冲着这些材料,这就是佛菩萨的神奇之处。透过普通的佛像后面隐藏着的是无形世界中的灵性精神体,是一整套的佛法,是宇宙的真理,是真正的科学。跟整个佛法的博大精深比起来,舍利子只是沧海一粟。但小小的舍利子,却见证了佛法的真实不虚、伟大殊胜。

近年来,通过网络与拍卖场内同步竞价的情况越来越多。网站与国内外拍卖公司建立了合作关系,提供了“直播竞拍”、“限时竞拍”等交易模式。买家可通过网站观看图录预展、视频直播、与世界各地买家同步竞拍,或者在限定时间内,通过网络竞价的方式竞拍,价高者得。通过互联网,拍卖行可以将全球作为市场,扩大了艺术品的供给和需求资源。

  与传统行业相比,互联网行业管制最少,这导致大量资金和优秀人才涌进这个行业,创新最为活跃。伴随着技术进步,互联网的现场感和体验功能会大大增强,会进一步改变艺术市场的生态。无论是收藏市场还是消费市场,与互联网联姻都非常有意义。

  艺术品市场国际化空间很大

几年前,中国就进入到世界艺术品交易规模最大方阵中,比肩美国和英国,稳居全球艺术品三大市场之一。文化艺术品是全世界的共同财富,象征着人类的文明程度,国际性特征明显。但是中国的艺术品大多在本土内部循环,在艺术品市场上交易的几乎全是本国作品,连亚洲艺术品都少得可怜。中国艺术品市场较为封闭,包容性不够。毕竟国内经典的、值得收藏的艺术精品数量有限。与此同时,中国的艺术品除了瓷器外,其余艺术品在国际市场上的认可度也不高。总体来说,中国艺术品市场国际化的深度和广度的发展空间都很大。该藏品是明代舍利,保存完好,难道一见,可遇不可求,收藏价值极高。

There is no mystery about the reasons for the formation of Sariko, because the diet structure of the most disciplined people is more frugal and vegetarian, and the trace elements and minerals in the human body are richer than those of the ordinary people. After the death of Buddhist monks, the vast majority (especially in the early period) were charcoal cremation, high carbon and metal salt minerals deposited in the body for many years, forming high carbon crystals that are extremely difficult to burn down.

There are basically three origins: first, the natural crystallization of the human body mentioned above, and secondly, the religious Pendant (Buddha beads/pendants) that you wear with you. This is why some of the cereal materials containing artificial glaze were found after the detection of some cereal. After that, some people joined for some purposes, which is not detailed.

Some people will raise objections: there are more Tibetan monks who burn meat than Chinese monks, which proves that vegetarian food and Sarizi are not necessarily related. It should be said that it is not the main factor, the main factor is the long-term meditation, and the cremation environment is very different. The senior monks who sit in the mountains use firewood to cremate, but ordinary. Man is cremated in a crematorizer, the latter in the fuel injection, jet state, the temperature as high as more than 1000 degrees, at this time, it is very difficult for anyone to form a Schellitz.

In fact, the Buddhist circle does not agree with the scientific analysis of Sariko, because the magic of Sariko does not lie in its constituent elements. On this issue, the confusion is reversed. Like Buddha and Bodhisattva in temples, science does not need to be tested. We also know that it is made of mud, wood, jade or precious metal. Yes, the worship of believers is not directed at these materials. This is the magic of Buddha and Bodhisattva. Hidden behind the ordinary Buddha statues are spiritual bodies in the invisible world, a set of Buddhist laws, the truth of the universe and the true science. Compared with the vastness and profundity of the whole Buddhism, Sariko is only a drop in the ocean. But the little Sariko witnessed the truth and great triumph of Buddhism.

In recent years, there are more and more cases of synchronous bidding through the network and auction venues. The website has established cooperative relations with auction companies both at home and abroad, providing "live bidding" and "time-limited bidding" trading modes. Buyers can watch video previews, live broadcasts, synchronize bidding with buyers all over the world, or within a limited time, through online bidding, the higher bidders get. Through the Internet, auction houses can use the world as a market, expanding the supply and demand of art resources.

Compared with the traditional industry, the Internet industry has the least regulation, which leads to a large influx of capital and excellent talents into the industry, and innovation is the most active. With the technological progress, the online sense and experience function will be greatly enhanced, which will further change the ecology of the art market. Whether in the collection market or in the consumer market, the marriage with the Internet is very meaningful.

There is a great space for internationalization of art market

A few years ago, China entered the world's largest artwork trading matrix, comparable to the United States and the United Kingdom, and stable in one of the three major global art markets. Cultural and artistic works are the common wealth of the world, which symbolizes the degree of human civilization and has obvious international characteristics. But most of China's works of art circulate within the country, and almost all of them are traded in the art market. Even Asian works of art are pitifully scarce. China's art market is relatively closed and not inclusive enough. After all, there are only a limited number of classical and collectible works of art in China. At the same time, China's works of art, in addition to porcelain, other works of art in the international market recognition is not high. Generally speaking, the depth and breadth of the internationalization of Chinese art market have great development space. This collection is the Ming Dynasty Sari, well-preserved, can not meet the demand at first sight, collection value is very high.



 

 

 

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