精品推荐 黎家山水图

黎雄才(1910～2001)，广东省肇庆人，祖籍广东省高要。当代国画家、美术教育家，岭南画派卓有成就的代表人物。擅长巨幅山水画，精于花鸟草虫，画作气势浑厚，自具风貌，被评论界称为“黎家山水“

Li xiongcai (1910 ~ 2001) was born in zhaoqing, guangdong province. Contemporary Chinese painter, art educator, the outstanding representative of lingnan school of painting. He is good at giant landscape paintings, and good at flowers, birds, grass and insects. His paintings are full of momentum and full of style, which has been called "li jia landscape" by critics.

黎雄才三十年代初的作品《潇湘夜雨》荣获比利时国际博览会金奖，1954年创作的《武汉防汛图卷》被美术评论界誉为“抗洪史诗”。

In the early 1930s, li xiongcai's work xiaoxiang night rain won the gold medal of Belgium international exposition. In 1954, his work wuhan flood control scroll was praised as "flood fighting epic" by art critics.

黎雄才在山水画的创作上，以写生为主，因此他笔下的景色，给人一种很“实在”的感觉。以《山村暮雪》为例，他采用墨和赭石，出手交流 加括弧“维芯”（T130）却把寒天的意境带出(6693)。即使他所描(3762)绘的不是荒凉的冬景，观赏者仍可感到冬寒中的暖意，这大概就是画者个性在作品中的流露。黎雄才着意以笔墨书写来表达他所见的景物，作品具有浓郁的“挥写”之趣。黎雄才在山水一门上的努力，成就了他的“黎家山水”。“黎家山水”一词，是指黎雄才在山水方面的风格。

In the creation of landscape painting, li xiongcai mainly draws from life, so the scenery under his pen gives people a sense of "reality". Take mountain village twilight snow as an example. He USES ink and ochre to communicate with each other and adds a sphincter "dimension core" (T130) but brings out the artistic conception of cold days (6693). Even if what he draws (3762) is not a bleak winter scene, the viewer can still feel the warmth of winter cold, which is probably the expression of the painter's personality in his works. Li xiongcai intended to express the scenery he saw with brush and ink writing, and his works had a strong interest of "writing". Li xiongcai's efforts on a gate of landscape made his "li jia landscape". The word "li jia landscape" refers to li xiongcai's style in landscape.

他的山水画是意境深邃的纯艺术珍品。他创造的艺术高峰，令世人瞩目。他对中国画，尤其对中国山水画的探索和实践是前无古人的。他在教学中常对学生说：师承古法，不能抛开前人搞国画；师承古法，不能古而不发，发展绘画艺术，要讲纯艺术，写画的艺术是什么？就是用文房四宝加国画颜料表达作者要表达的物象质感和意趣，画什么要似什么，似是似特征，和摄影照片有区别，国画要有国画的韵味，要反映出宣纸、毛笔、水、墨和颜料等绘画材料所产生的特殊效果，给人以艺术感染力。

His landscape paintings are pure artistic treasures with profound artistic conception. He created the peak of art, the world's attention. His exploration and practice of Chinese painting, especially Chinese landscape painting, is unprecedented. In his teaching, he often said to his students: we should follow the ancient ways, we should not abandon our predecessors to do traditional Chinese painting; We should develop the art of painting by learning from the ancient ways. What is the art of writing pictures? It is to use the four treasures of the study to express the texture and interest of the object that the author wants to express with the Chinese painting pigment, what to draw is like what, like is like the characteristics, and different from photographic photographs, the Chinese painting should have the charm of Chinese painting, to reflect the rice paper, brush, water, ink and pigment and other painting materials produced by the special effect, to give people an artistic appeal.

这幅作品画的是笔下的雨后黄山境界优美奇峻，皴法丰富严谨，墨色浑然一体，疏密明暗隐现自然，皆良多趣味，生动而不粗犷， 精密而不纤弱。其沟壑、章法，笔墨，气脉贯通，意境亦无一不精到。这幅立轴山水，左右两边巨石箕踞，沟壑之中溪水若隐若现，峰顶丛木林立，笔纵飞舞，墨色纷披，反映了画家以造化为师，敢于独辟新意的创造精神，再现了黄山云雾浮动、高峰耸峙的胜境。[1]黎雄才继承岭南画派传统，重视表现空间的透视感，前景的松石具体明晰，后景的山峰朦胧淡远如剪影，最远处的峰峦则与布着灰云的夜空融为一体，强烈的对比使画面背景的空间显得益加渺远空漠。具有非常高的收藏价值和艺术鉴赏价值！

This work is a painting of the huangshan state after rain, which is beautiful and marvelous, rich and rigorous texturing method, with one integrated black color and natural light and shade, all of which are interesting, vivid but not rough, precise but not delicate. Its gully, zhang method, ink, qi vein through, artistic conception is no less refined. The landscape of this vertical axis, with boulders on the left and right sides of the mountain, streams in the gully, trees bristling on the peak, pens flying in the air, and ink colors flying in the air, reflects the painter's creative spirit of being creative, and reappears the wonderful scenery of huangshan cloud floating and high peak lingering. [1] inheriting the tradition of lingnan school of painting, li xiongcai attaches great importance to the perspective of space. The foreground is specific and clear with pine stones, the background is hazy and distant like silhouette, and the farthest peak is integrated with the night sky covered with gray clouds. The sharp contrast makes the space in the background of the painting seem more empty and empty. Has very high collection value and art appreciation value!

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