钱币珍品崇宁通宝崇宁重宝一组共赏

崇宁是中国历史上堪称艺术造诣最高的皇帝宋徽宗赵佶的第二个年号。北宋徽宗赵佶崇宁年间(1102-1100年)铸有崇宁通宝、崇宁重宝和崇宁元宝三种。崇宁通宝钱文为徽宗亲书，所以又其为御书钱。该钱文书法清秀骨瘦，铁划银钩，是徽宗赵佶瘦金书体存留世间的真实显现。宋徽宗贵为一国君王,治国虽无方, 但他在书法上却独辟蹊径,自创“瘦金书” ,为一代书法宗主.并将此书体文字铸于钱上."崇宁通宝"及是活例.宋徽宗更因铸钱精绝,而于王莽并称“钱法二圣”。钱体厚重，青铜质，锈色古旧，开门的老生坑。崇宁重宝钱文隶书，古朴方正，严谨庄重，法度固定，深具骨秀格清之气韵，书法超妙绝伦。

Chongning is the second year of Zhao You, the highest artistic attainment emperor in Chinese history. In the period of Zhao You Chongning (1102-1100), Huizong of the Northern Song Dynasty, Chongning Tongbao, Chongning Chongbao and Chongning Yuanbao were cast. Chongning Tongbao Qianwen is Huizong's relative book, so it is imperial book money. The Qian's handwriting is delicate and thin, with a silver hook drawn by iron. It is the true manifestation of Zhao You's thin gold style of Huizong that remains in the world. Huizong of Song Dynasty was a monarch, but he had no way to govern the country, but he created his own "thin gold book" in calligraphy, which was a generation of calligraphy patriarchs. He cast the calligraphy on money. "Chongning Tongbao" and "living example". Huizong of Song Dynasty was also called "two saints of Qianfa" by Wang Mang because of his excellent casting of money. Money is thick, bronze, rusty and old, open the old pit. Chongning Chongbao Qian Wenli Shu, simple and square, rigorous and solemn, fixed law, with a deep charm of bone and style, superb calligraphy.

崇宁通宝/崇宁重宝

Chongning Tongbao/Chongning Chongbao

重(W)：11.5g 直径(D)：3.49 cm

重(W)：10.3g 直径(D)：3.42 cm

编号(NO.)：ZLFWPM(JND)2019-3043

此组藏品包含一枚崇宁通宝、一枚崇宁重宝。崇宁通宝钱体厚重，青铜质，锈色古旧。其钱文四字饱满，正面书“崇宁通宝”四字，“宝、宁”二字冠点长且向左倾。其轮廓宽窄，方形穿孔。崇宁重宝铜币正面镌刻着“崇宁重宝”，字体为隶书，端庄雄秀，古朴方正，严谨庄重，法度固定，字里行间留在钱币上的，是腐蚀钱币的铁锈;铜币背面则没有印制任何的字体。钱币呈圆形，中间有方孔，便于老百姓将其串起来挂在身上，不易丢失。整体方正大方，落落得体，轮廓立体。此组钱币整体铸造规整，字体清晰，风格独特，字体笔法流畅，纹饰刻制工细，具有鲜明的时代特色。

This collection includes one Chongning Tongbao and one Chongning Chongbao. Chongning Tongbao coin is thick, bronze, rusty and old. The four characters of Qian Wen are full. The front book "Chongning Tongbao" has four characters. The crown of "Bao and Ning" is long and leans to the left. Its outline is wide and narrow, with square perforation. Chongning Chongbao Copper coin is engraved with "Chongning Chongbao" on the front. Its font is Li Shu, dignified and beautiful, simple and square, rigorous and solemn, and its legal system is fixed. The rust that corrodes the coin is left between the lines of the coin. No font is printed on the back of the copper coin. The coins are round, with square holes in the middle, so that people can string them up and hang them on their bodies, and they are not easy to lose. The whole is square and graceful, and the outline is three-dimensional. This group of coins is neatly minted, with clear fonts, unique style, fluent fonts and pen style, meticulous decoration and engraving, and has distinct characteristics of the times.

崇宁通宝与崇宁重宝之所以能完美的展现宋徽宗高超的艺术水平，与徽宗一朝登峰造极的铸铜水平息息相关。以崇宁重宝铜母钱为例，崇宁重宝铜母钱能够做到不需修整任何字口，铸造精度能直接达到母钱甚至原母钱的水准，这种技术能力即使七百年后的清代母钱也难以做到。时至今日，宋徽宗御笔书法已为国之至宝，一纸难求。崇宁重宝作为徽宗瘦金体书法艺术真实到代的物质载体，具有重要的史料价值和艺术价值。

The reason why Chongning Tongbao and Chongning Chongbao can perfectly display the superb artistic level of Huizong in Song Dynasty is closely related to the level of copper casting in which Huizong once reached the peak. Taking Chongning Chongbao Copper Money as an example, Chongning Chongbao Copper Money can achieve no need to trim any words, casting accuracy can directly reach the level of mother money or even original mother money, this technical ability is difficult to achieve even after 700 years of mother money in Qing Dynasty. Up to now, the imperial pen calligraphy of Song Huizong has become the most precious treasure of the country, which is hard to find. Chongning Chongbao, as the material carrier of Huizong's lean gold calligraphy art, has important historical data value and artistic value.

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