藏品名称：银币壹组两枚（坐洋币.光绪元宝）

藏品名称：银币壹组两枚（坐洋币.光绪元宝）

藏品规格：重约18.3g-20g;直径约3.7cm-3.8cm

藏品详情：此组银币都是清代钱币，由坐洋币（1905）和云南省造光绪元宝组成。法属印度支那贸易币,俗称坐洋币,为清末在华流通的外国货币之一。钱币正面为自由女神坐像，背面的装饰图案为麦穗，法文有“贸易银元”和“法属印度支那”等。坐洋币作为一种历史载体，记录了鸦片战争以后，中国人民在政治上受压迫，在经济上受剥削的屈辱历史。研究在中国流通的外国货币，对于我们了解和认识这段历史，具有十分重要的意义。

坐洋币，品相完好，字迹清晰，钱币正面的主图为手执束棒的自由女神坐像，坐像的两侧铸法文文字是：REPUBLIQUE FRANCAISE（法兰西共和国）。女神座下方有小字法文BARRE和该币发行的年份。钱币背面的主图案为一花环，周围为说明文字，花环上方铸法文为：FRANCAISE INDO-CHINE（法兰西印度支那），钱币花环中间的横向文字为银币的面额：PIASTRE DE COMMERCE(皮阿斯特的贸易银)。钱币花环下方文字为：TITRE 0.900 POIDS 27 GR。正下方中间位置的双火炬中的小字“A”则可视为版别，并且是180度错版币。可想而知此枚钱币的特殊性、重要性、稀有性以及独特的版别，更加提高了其收藏价值！

光绪元宝是清朝光绪年间流通的货币之一。由湖北两广总督张之洞率先引进英国铸币机器铸造银元和铜元，之后各省纷纷仿效。共有十九个省局铸造，除中央户部，地方省所铸铜元，皆在其正面上缘镌写省名。光绪元宝是大清光绪年流通大面值货币之首，是我国首批引进海外技术的印发流通货币，是中国第一批引入海外技能锻造流转钱银，具有十分严峻的历史意义，正所谓藏头不藏尾，所以深受中国广阔保藏爱好者的喜欢。

此枚云南省造光绪元宝库平七钱二分钱币，正面以珠圈为界，可分为内外两个部分，钱币珠圈内铸“光绪元宝”四字，上环“云南省造”四字，下环“库平七钱二分”，左右两端饰有七点星花，字体端庄清秀，笔画圆润饱满；钱币背面是蟠龙图，纹路如刀刻所成，龙身纹路精美，品相完整，包浆自然，字迹清晰苍劲有力；背面为标志性龙纹，栩栩如生；历经岁月洗礼，保存完好，具有较高的收藏价值和经济价值。

This group of silver coins is a coin of the Qing Dynasty and consists of foreign currency(1905) and Yunnan Province's Guangxu Yuanbao. French Indochina trade currency, commonly known as foreign currency, is one of the foreign currencies circulating in China in the late Qing Dynasty. The front of the coin is a statue of the Statue of Liberty. The decorative pattern on the back is wheat ears. French has "Trade Silver Dollar" and "French Indochina". As a historical carrier, the foreign currency records the history of the humiliation of the Chinese people's political oppression and economic exploitation after the Opium War. It is very important for us to understand and understand this history by studying the foreign currency in circulation in China.
Sitting on the foreign currency, the product is intact and the handwriting is clear. The main picture on the front of the coin is the statue of the Statue of Liberty with a stick. The French characters on both sides of the statue are: REPUBLIQUE FRANCAISE(French Republic). Below the goddess, there is a small French BARRE and the year of the currency's issuance. The main pattern on the back of the coin is a wreath, surrounded by explanatory text. The French above the wreath is: FRANCAISE INDO-CHINE(Indochina). The horizontal text in the middle of the coin wreath is the denomination of the silver coin: PIASTRE DE COMMERCE(Piasite). The text below the coin wreath is: TITRE 0.900 POIDS 27 GR. The small word "A" in the double torch directly below the middle can be regarded as a version and is a 180-degree wrong version. It is conceivable that the particularity, importance, rarity and unique version of this coin enhance its collection value!
Guangxu Yuanbao is one of the currencies that circulated during the Guangxu period of the Qing Dynasty. Zhang Zhidong, the Governor of Hubei, Guangdong and Guangxi, took the lead in introducing the British Mint Machine to cast silver and copper coins, after which the provinces followed suit. A total of 19 provincial bureaus were cast. In addition to the Central Ministry of Housing and the local provinces, copper coins were cast on the front edge of the province. Guangxu Yuanbao is the first currency to be issued and circulated in the Qing dynasty. It is the first currency to introduce overseas technology in China. It is China's first batch of overseas skills to forge and transfer money and silver. It has very serious historical significance and is called the Tibetan head. Therefore, it is deeply loved by Chinese vast conservationists.
This Yunnan Province made Guangxu Yuanbao Kuping seven money two coins, the front is bounded by the bead circle, can be divided into two parts inside and outside, the coin bead circle cast "Guangxu Yuanbao" four characters, the upper ring "Yunnan Province made" Four characters, the lower ring "Kuping seven money two points", There are seven star flowers at the left and right ends, the font is dignified and elegant, and the strokes are round and full; The back of the coin is a dragon map. The lines are made of knives. The dragon's lines are exquisite, the quality is complete, the pulp is natural, and the handwriting is clear and vigorous; The back is a iconic dragon pattern, lifelike; After years of baptism, it is well preserved and has a high collection value and economic value.