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古玩行2020精品推荐第3期:清代双耳尊

发布时间:2020-06-13 20:14来源:
清朝仿汝釉双耳尊。造型俊雅秀逸,线条柔美起伏,尽见迤逦之姿,所施仿汝釉一色,匀净莹亮,细腻肥润,釉色青白,静穆古雅,胎骨细薄坚致,丽质怡人,远视之,宛若佳人玉立,

清朝仿汝釉双耳尊。造型俊雅秀逸,线条柔美起伏,尽见迤逦之姿,所施仿汝釉一色,匀净莹亮,细腻肥润,釉色青白,静穆古雅,胎骨细薄坚致,丽质怡人,远视之,宛若佳人玉立,风韵无限。通体施天青釉,呈青灰色,无开片,釉色匀净,釉面光洁莹润,惟足端无釉,呈酱褐色。天青釉,又名“雨过天青色”,是一种幽淡隽永的高温釉。

The Qing Dynasty imitated your glaze and respected your ears. The sculpt is elegant and elegant, the lines are gentle and undulating, and you can see all the postures. The applied glaze is of the same color, even and clean, bright, delicate and plump, the glaze color is blue and white, quiet and elegant, the fetal bones are thin and firm, the beauty is pleasant, and the farsightedness is like a beautiful woman, with infinite charm. The whole body is coated with azure glaze, which is bluish gray and has no split pieces. The glaze color is even and clean, and the glaze surface is bright and clean, but the foot end has no glaze and is brown with sauce. Tianqing glaze, also known as "sky blue after rain", is a kind of light and meaningful high-temperature glaze.

据文献记载,最早为五代后周世宗时柴窑烧制而成,当时官吏请示烧造御用瓷器的设色,周世宗答以“雨过天青云破处,者般颜色作将来”,即为“雨过天青色”,其“青如天,明如镜”。宋代汝窑的釉色为天青,色调淡雅,釉面多无光泽。清代景德镇御窑厂烧造天青釉瓷器,以清三代最为著名,其仿自汝窑,呈淡灰蓝色,分为釉面有开片和无开片两种,有开片者居多。历代仿汝釉瓷中,以清雍正时期所仿最好。雍正仿汝釉瓷以仿宋汝天青色者居多,多数有鱼子纹小纹片,但也有大纹片和无纹片的。此清雍正仿汝釉长颈瓶无开片,即唐英在《陶成纪事碑》中所说的“仿铁骨无纹汝釉”。宋代汝釉亦有无开片者,《格古要论》说:“有蟹爪纹者真,无纹者尤好。”

According to documentary records, it was first fired in a wood kiln in Zhou Shizong after the 5th generation. At that time, officials asked for instructions on the design of imperial porcelain. Zhou Shizong replied that "the sky is as green as heaven and the sky is as bright as a mirror" and "the sky is as green as rain and the sky is as bright as a mirror". The glaze color of Ru kiln in Song Dynasty is azure, with quietly elegant color tone, and the glaze surface is mostly dull. The Qing Dynasty imperial kiln factory in Jingdezhen burned blue glazed porcelain, most famous in the third generation of the Qing Dynasty. It imitates the Ru kiln and is light gray blue. It is divided into two types of glazed porcelain, open and non-open. Most of them are open. Of all the glazed porcelain imitated by you in the past dynasties, the one imitated by Qing Yongzheng was the best. Yongzheng's imitation of Ru glaze porcelain is mostly imitation of Song's Ru sky blue color. Most of them have small patterns with roe patterns, but there are also large patterns and no patterns. This Qing Yongzheng imitation Ru glaze flask has no open piece, which is what Tang Ying called "imitation iron bone without grain Ru glaze" in "Tao Cheng Shi Bei". In the Song Dynasty, there were also people who did not open your glaze. "Ge Gu Yao Lun" said: "Those with crab claw markings are true, and those without markings are especially good."

汝瓷胎质细腻,胎色灰中略带着黄色,俗称“香灰胎”。 汝州张公巷汝窑器,胎呈灰白色,比其他窑口的胎色稍白,是北宋官窑的主要特征。汝瓷釉面滋润柔和,纯净如玉,有明显酥油感觉,稍透亮,多呈乳浊或结晶状。用放大镜观察,可见到釉下寥若晨星的稀疏气泡,抚之如绢,如堆脂,温润古朴,素静典雅,纹片晶莹多变为主要特征。汝瓷釉料有红玛瑙成份在內,所以汝瓷的釉面才能反映淡淡的红色,请注意“釉面”二字,这是真假汝瓷重要标志。后世仿品,尽管釉中也加了玛瑙成份,但就是产生不了淡淡的红色。汝瓷是满釉裹足支钉支烧,而支钉数多数为3个或5个,个别器物也采用6个支钉。汝瓷支钉支烧留下的痕迹,形若张开的芝麻花。张公巷的器物呈圆形支钉。个别碗、套盒、凹足钵、洗、器盖等用垫饼支烧工艺。

Ru Ci's fetus is fine and delicate, with a slight yellow color in its gray color, commonly known as "fragrant gray fetus". The main feature of the official kiln in the Northern Song Dynasty is that the tyres of the kiln in Zhanggongxiang, Ruzhou are grayish white, slightly whiter than those of other kiln openings. The surface of your porcelain glaze is moist and soft, pure as jade, with obvious ghee feeling, slightly translucent, mostly opacifying or crystalline. With a magnifying glass to observe, you can see the sparse bubbles under the glaze, touching like silk, such as pile of fat, warm and simple, quiet and elegant, crystal and changeable grain as the main characteristics. Ru Ci glaze contains red agate, so the glaze of Ru Ci can reflect light red. Please pay attention to the word "glaze", which is an important symbol of true and false Ru Ci. Later imitations, even though agate was added to the glaze, could not produce light red. Ru Ci is a glazed foot-covering Zhi Ding, while Zhi Ding has 3 or 5, and some implements have 6 Zhi Ding. The traces left by the burning of the Zhi Ding branch in Ru Ci are like open sesame flowers. The implements in Zhang Gong Xiang are round Zhi Ding. For individual bowls, sets of boxes, concave foot bowls, washings, covers and the like, the baking process is supported by cushion cakes.

此件双耳尊造型亦着力模拟宋瓷釉色,其线条极为简练,通体施釉肥润凝重,彰显赵宋文人以素雅匀净为上的美学理念。造型端庄,天青釉色灰青泛淡蓝,光洁莹润,古朴拙雅,是一件实现了“者般颜色作将来”的仿汝窑单色釉精品,具有一种强烈的玻璃感光泽。明如镜、润如玉、具有极高的收藏价值,传世者极罕,极为珍贵。

The double-eared statue also focuses on simulating the glaze color of Song Dynasty. Its lines are extremely concise and its glaze is plump and dignified, demonstrating Zhao and Song literati's aesthetic concept of elegance and neatness. Elegant in shape, the azure glaze is grayish green and suffused with light blue, bright and clean, simple and unsophisticated, elegant and elegant. It is an excellent imitation of Ru kiln monochromatic glaze with a strong glassy luster, which has realized the "future with the same color as others". As bright as a mirror and as smooth as jade, it has extremely high collection value and is extremely rare and precious.

 

 


 


 

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